Oil based ink (offset inks mixed with gel solvent) is then applied to the surface through rubbing on with plastic cards. I make sure that the entire surface is completely inked and that I can no longer see the image.
My next step is to clear some of the thick ink that is on the surface. When I have deep incisions, I stipple that area to ensure that no large pockets of ink are visible. Then I begin to gently polish the surface with telephone book paper which removes excess ink. When I have completed wiping the surface I should have a thin film of ink on the surface with ink embedded into the textures of the materials.
Above is the printing press that I use for my printing. I lay the inked plate face-up on the bed of the press with a sheet of protective paper underneath. The paper which the image is to be transferred is put on top of the inked plate and then covered by a ‘blanket’ and the whole thing is put through the press. NB The paper which the image is transferred onto is acid-resistant and has been pre-soaked in water for absorbency. Dry paper will stick to the plate and rip.
Above is the printing press that I use for my printing. I lay the inked plate face-up on the bed of the press with a sheet of protective paper underneath. The paper which the image is to be transferred is put on top of the inked plate and then covered by a ‘blanket’ and the whole thing is put through the press. NB The paper which the image is transferred onto is acid-resistant and has been pre-soaked in water for absorbency. Dry paper will stick to the plate and rip.
